questioning the "un..-": in discomfort (2016)

for amplified bass flute, bass clarinet, violin and violoncello


Premiere performance :


July 9th, 2016 Saint-Martin-Vésubie (Alpes-Maritimes, France)
MULTILATéRALE ensemble
1st  edition of the Altitude Composition Workshop


American premiere:
October 19th, 2019 New York, Areté Gallery in Greenpoint, Brooklyn
Inaugural concert of CanvaSounds collective
Amalgama ensemble

 
questioning_the_un_in_discomfort-alt.png

The piece was written for the 2016 edition of the Composition Master class under the auspices of Altitude University and is heartily dedicated to the members of the ensemble MULTILATéRALE. The emergence of gestural interactivity pointing to an idiomatic stream of sonic behaviours captures the dramaturgical framework of the piece, highlighting a network of distinguishable sonic objects all perceived in a unified sonic fabric. The musical ideas derive from the behaviour and directionality of the materials with close attention to their nature, sound structure, and density. My ideas about musical flow and dramaturgical formation are related to the characteristics of each musical moment that is connected with its surroundings, this results in a musical flow with heterogenous or homogenous elements resembling that of a living organism.




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". . . d'un archétype métallique" (2017)

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Intimate sounds from the past (2017)